Decade in Review – 5 Best Films of the Aughts

Having just vented about the 10 most overrated films of the decade I will now attempt to actually say something positive for a change.  So here goes – my list of the 5 best films of the decade:

#5.  Hot Fuzz (2007)

In a decade full of smirks and chuckles, Hot Fuzz delivered genuine, deep, gasping-for-air laughter.  The beginning is admittedly a bit slow, although it is punctuated by perhaps the funniest single moment of the past ten years.  When the top of a steeple falls down on top of a reporter, not just killing him but obliterating the top half of his body (and yet the bottom half stumbles around a bit before keeling over) the result is so unexpectedly violent and hilarious that I laughed long after the scene had ended.  And then, of course, there are the film’s final forty or so minutes, which are so uproariously funny that my side ached by the time they were over.  Unlike so many comedies of the aughts, Hot Fuzz didn’t try to be clever.  Instead, it tried to be funny, at it succeeded at every turn.

#4.  The Dark Knight (2008)

In an era of crappy comic book movies, this film proved once and for all that the drivel we had come to expect from the genre is inexcusable rather than inevitable.  Heath Ledger’s Joker will go down as one of the iconic performances in film history and deservedly so.  Having said that, it’s too bad that his performance ended up garnering so much attention because it tended to obscure the fact that this film’s excellence went far beyond a single outstanding performance.  Despite entering a crowded and clichéd genre, The Dark Knight was surprising at every turn and every minute of its two-and-a-half hour running time felt both compelling and necessary.

#3.  Wall-E (2008)

In ten years Pixar did more for digital animation than Disney did for traditional animation in the entire 20th century (and that’s no slight to Disney).  Wall-E is Pixar’s crowning achievement.  The first thirty dialog-less minutes give us some of the most elegant filmmaking of the decade.  Sure, the second half feels a bit more like the usual Pixar blend of physical gags and tight storytelling, but that’s not necessarily a bad thing.  Wall-E is such a flawlessly executed film, and is so full of genuine heart, that the keen social commentary lurking under the surface is just a welcome added bonus.

#2.  The Lord of the Rings Trilogy (2001, 2002, 2003)

So often directors seem to think that making a movie really long and filling it with special effects is all it takes to make something “epic.”  Fortunately, Peter Jackson remembered that story telling and character development are important, too.  As a result, every minute of the nine hours that this trilogy occupied the screen (and even the twelve hours of its extended DVD versions) felt like a gift.  This is one of the rare cases in which the movie was far better than the book on which it was based since Jackson managed to capture all of the magic of Tolkien’s imagination while replacing the woodenness of his prose with a visual style that was dynamic and compelling.

#1.  Where the Wild Things Are (2009)

It seems that everyone either loved or hated this movie.  I am firmly rooted in the “loved” category.  Everything in this film worked – the visuals, the music, the story-telling.  The narrative style was completely unique and yet easy to follow, and the story stayed true to Maurice Sendak’s book without feeling slavish or derivative. I saw it in the theaters twice and liked it even more the second time.  It’s dark.  It’s melancholy.  It’s moving.  It’s brilliant.

So there we have it – proof that I don’t hate every movie.  In my next post (the last one of this decade) I’ll give a few random awards in a “one-off” format.

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